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While the horror elements start to take more prominence in the second half (specifically the rather squeamish elements of body horror, done in a way that would make David Cronenberg proud), the film never lets one completely overtake the other. It is a film that navigates between being thrilling and horrific at the same time. Black Swan is never a low budget character piece. While you may have read suggestions that Black Swan and The Wrestler are two halves of the same film, make no mistake at looking at it any further beyond the comparison of being about two people toiling within two very different forms of art.
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One that is not easily able to be classified to any one genre. He builds up rather slow, but right after that first moment of off-the-rails insanity, he delivers one hell of an incredible piece of cinema. Aronofsky has used what he has learned from making the raw and unflinching The Wrestler and the cerebral horror and incredibly disturbing Requiem for a Dream, and has crafted a film that you will simply not be able to take your eyes off of.
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Black Swan is an enthralling and visceral experience from beginning to end. With competition arriving in the form of new dancer Lily (Mila Kunis), and the demanding desire for perfection from both Thomas and her overbearing mother Erica (Barbara Hershey), Nina begins a journey into dark uncharted territory. With the company's go-to lead pushed into retirement, Nina is quickly selected to be the lead in the new ballet. The company has fallen under hard times, and director Thomas Leroy (Vincent Cassel) makes the swift decision to put on a new rendition of the classic Swan Lake. Nina Sayers (Natalie Portman) has toiled for years within a New York ballet company, always pushing herself. It was one of the most talked about and sought after films at this year's Toronto International Film Festival (which I managed to snag a ticket for), and for good reason – it is a masterpiece that is just as much beautiful as it is nightmarish. There are not enough words in the English language to describe the praise Darren Aronofsky deserves for Black Swan.